Midnight - not a sound from the pavement. She is smiling alone. In the lamplight, the withered leaves gather at my feet. And the wind begins to moan. Memory Wave System - on their own in the moonlight. I was beautiful then. I remember the time I knew what happiness was. Let the memory live once more. Each road gentle appears to beat a fatalistic warning. And shortly it will likely be morning. Daylight, I have to await the sunrise. And that i mustn't give in. And a new day will start. The stale chilly smell of morning. One other day is dawning. Of my days in the sun. Should you contact me, you will perceive what happiness is. Look, a new day has begun. This, the primary Torch Music from the musical Cats, is the one quantity in the present that doesn't take its lyric from T.S. Eliot's Outdated Possum's Book of Practical Cats. The lyric is, no less than primarily, composed by Eliot, however it comes instead from Prufrock and Other Observations a 1917 assortment aimed at an grownup viewers, where the OPBoPC targeted youngsters.

Given the erudition and obscurity of Eliot's grownup poetry, it isn't shocking that whereas the other songs in the present are simply the poem set to music, there are some vital modifications - all simplifications- between this and its source poem Rhapsody on a Windy Night. As a madman shakes a lifeless geranium. I have been unable to search out any attribution for who did the adaptation, unless it was Andrew Lloyd Webber himself - this appears unlikely, given the truth that he has never been often called a lyricist, although not unattainable - I would personally be inclined to speculate they're the work of Don Black who was most intently related to working with Lloyd Webber (collaborating with him on the present Music and Dance which was concurrent with Cats), though given his private relationship with Elaine Paige, who was to play the lead and sing the tune, it is attainable that Tim Rice did the job. Whoever penned the phrases, Memory became the very best identified, and most recorded monitor from the libretto, with the important efficiency probably being that of Barbra Streisand, moderately than both Paige or the opposite long-working female lead, Marti Webb.

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